Что такое «дедлайн»? Что значит «дедлайн» простыми словами? Перевод слова «deadline»В каких сферах бывают дедлайны? В каких угодно. Студентам нужно вовремя сдать курсовые и дипломные, редакторам — статьи для свежего номера, а участникам конкурса не опоздать с подачей заявок и документов. И у всех дедлайны.

С какими словами сочетается это заимствование? Дедлайны назначают или устанавливают:

• Предпоследний раз Путин назначил дедлайн на 31 августа, потом накинул еще неделю («Русский репортер», 22.09.2011).

Тот, кому назначили дедлайн, может, в свою очередь, укладываться в дедлайн(ы) или соблюсти дедлайн(ы):

• Если банк не укладывается в дедлайн, к нему, согласно законопроекту Минфина, могут быть применены санкции Центробанка («Известия», 07.02.2014).
• Мы не всегда можем быстро изменить внешние обстоятельства своей жизни — превратить начальника в лояльного добряка или научить всех партнеров соблюдать дедлайн (А. Шеховская. Синдром Золушки).

Дедлайн может ждать и надвигаться:

• А мне нужно было на работу, очень нужно было: там ждал дедлайн, и придвинулся вплотную, и надвигался дальше неотвратимо ― надо было давно сдать колонку про будничные приключения одного моего героя в одной подмосковной деревне (А. Колесников. Человеческий фактор).

А может наступить и истечь. Если дедлайн начинает гореть и возникает риск его просрочить/завалить, то можно его обсудить и попробовать передвинуть/сдвинуть/ перенести/сдвинуть рамки:

• Как перенести дедлайн и не навредить своей репутации? («Деловой Петербург», 17.08.2015).

90000 Interview Questions About Deadlines 90001 90002 90003 One of the interview questions that is very common relates to working under tight deadlines. It is important to be able to meet deadlines in many careers. There are very few companies where the speed and urgency are not important. 90004 90002 Over the years, I’ve asked about deadlines in interviews very frequently. This is one of the questions where job seekers usually react exactly the same way. It does not matter what type of personality the job seeker has, their job type or the industry.The answer that almost everyone gives is a variation of this: 90004 90007 90002 90009 Question: Tell me about a time when you worked under a tight deadline. 90010 90004 90002 90009 Answer: All the time. Everything we do has a tight deadline. Meeting customer needs requires responding quickly. We never have much warning when we get a special project and have to get the project done quickly. 90010 90004 90016 90002 This answer is very general. Job seekers usually include specific industry terms in their answer, but the overall message is the same.Everything the job seeker does has a deadline. 90004 90002 I’m sure you can see that this answer tells the interviewer nothing. The goal of a question about deadlines is to understand the sense of urgency of the job seeker and to get an idea of ​​how the individual will perform. Generalizing the answer provides nothing noteworthy. 90004 90002 To effectively answer a question about deadlines, you need to give an example. Starting out with a statement that deadlines are common in your field is ok.The interviewer probably hears this every time they ask the question, so you’re not going to make a bad impression with it. 90004 90002 The key to making a good impression is what you do next. Give an example of a specific deadline and how you were able to meet it. This will demonstrate the value you provided in the past and help create an impression of success. 90004 90002 This is an example of a better answer to this question: 90004 90007 90002 90009 We work under tight deadlines all the time.For example, we recently had a customer place an order for one of our products with several custom modifications. The customer needed the product in a week, and our typical lead time with the modifications was 10 days. I was able to cut a couple of days off the production schedule by coordinating with the manufacturing department to run the product on a different line than normal and then cut another day by working with quality so that they would inspect the product as it was produced. We shipped the product on time.These type of deadlines are commonplace and I work very well with other department to ensure that we meet every schedule no matter how tight. 90010 90004 90016 90002 This is very basic example of expediting production of a product. Despite this, it shows the type of deadlines the job seeker encounters, how they approach the deadline and gives an example of a success. Even though this is a basic example, it is a much better answer than the original general answer. 90004 90002 One reason this example is effective is the emphasis on working with other departments.The anser address the sense of urgency of the job seeker but also uses the example to demonstrate how effective they are at influencing others in their company. 90004 90002 Look for ways to give examples of what you have done. Examples create a picture in the mind of the interviewer and make a much stronger impression. 90004.90000 What Are the Benefits of Deadlines for Projects? | Small Business 90001 90002 Employees come in all personality types, and this can have an impact on how quickly and efficiently a project is completed. A rare few employees are able to set independent deadlines and break down large projects into manageable goals. More commonly, employees need milestones for which to aim. Giving workers a deadline to achieve a set goal can help everyone on the team stay on track and will enable your small business to pull together a large project with less stress for everyone on the team.90003 90004 Manageable Phases 90005 90002 Break a project into manageable stages and give each stage a mini-deadline. Look at the major steps to complete the project, such as research, writing reports, creating audio / visual materials for a presentation and practicing speeches. The major benefit of breaking a large project into smaller phases is that employees will feel less overwhelmed and be able to focus on more manageable goals. 90003 90004 Sense of Accomplishment 90005 90002 An employee who completes a phase of the project successfully and on time will have a sense of accomplishment.Praise employees who turn in their parts of the project by deadline to increase feelings of self-worth. Consider offering bonuses such as gift cards or a casual dress day when workers come together to meet deadlines. 90003 90004 Catching Mistakes Early 90005 90002 When workers meet deadlines, management has more time to notice any mistakes and fix them before the project is complete. It is much easier to fix a problem in the beginning of a project than to go back and fix every step of a project from the first phase onward.90003 90004 Marketing 90005 90002 If the project involves a product launch date or service that will be offered, knowing the date the project will be completed helps with marketing efforts. A team that works together and is able to meet deadlines affords some assurance to management that advertising efforts will not be wasted when a project is not completed in time. Instead, management knows it can promote the finished project and it will be available for the customer. 90003 90004 Avoid Too Many Goals 90005 90002 Setting deadlines and specified items that need to be completed keeps the project on target and focused.If there is no deadline, projects have a tendency to drag on. People working on the project tend to generate new ideas and each worker wants to add elements to the project. While these new features might be beneficial, they can build upon one another until the project is out of hand. Deadlines help keep workers focused and avoid feature buildup. 90003.90000 Chris Nolan Q & A About ‘Inception’ — Deadline 90001 90002 When 90003 Inception 90004 was released back on July 16th, the strikingly original film shook up a summer marketplace filled with derivative sequels and unfortunate remakes that had critics decrying the creative barrenness of studio films. Which is why writer-director Nolan garnered respect from Hollywood for using his clout from 90003 Batman Begins 90004 and 90003 The Dark Knight 90004 to film his own long, gestating spec script from an idea that had rattled around in his head for a decade.90003 Inception 90004 is a movie with many layers and a dense plot, allowing Nolan to ride a familiar genre but then arrive at a new place. Sure, the box office was well-trod turf for him: $ 825 million worldwide. But, first, he had to imagine himself in the dream world of 90003 Inception 90004 before he took audiences there. 90013 90002 90015 DEADLINE: 90016 90003 How was writing 90004 Inception 90003 different for you? 90020 90004 90015 NOLAN: 90016 What I try to do is write from the inside out.I really try to jump into the world of the film and the characters, try to imagine myself in that world rather than imagining it as a film I’m watching onscreen. Sometimes, that means I’m discovering things the way the audience will, with character and story. Other times, you’re plotting it out with diagrams and taking a very objective view. Writing, for me, is a combination of both. You take an objective approach at times to get you through things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.This was one of those projects that burned inside me for a long time, but I would not say in a completely unique way. I made a film earlier called 90003 The Prestige 90004. For four or five years, that burned inside me. It was something I really wanted to crack with my brother Jonah, and eventually we did it. I certainly have other ideas I’ve not been able to crack that I see great potential in, sitting in the back of a drawer. You never quite know what you’re going to come back to and figure out how to make it work.You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person. The script was different to me. And, eventually, who I was as a writer, as a filmmaker, and what the script needed to be, all these things coincided. 90013 90002 90015 DEADLINE: 90016 90003 What breakthrough ended 90004 Inception 90003 ‘s 10-year script gestation period? 90004 90020 90015 NOLAN: 90016 The final piece of the puzzle for me with the script I’d been trying to finish for about 10 years was figuring out how to connect emotionally with the central character in a way that would make it a more emotional story .The reason I got hung up on this is that I had first devised the rules of the world, using the heist genre as a way in. That genre embraces exposition and so it’s good for teaching a new set of rules to an audience. The problem is, heist movies tend to be a bit superficial, glamorous, and fun. They do not tend to be emotionally engaging. What I realized after banging my head into a wall for 10 years trying to finish it is that when you’re dealing with the world of dreams, the psyche, and potential of a human mind, there has to be emotional stakes.You have to deal with issues of memory and desire. I figured out the emotional connection of the central character to the audience and made this about following his journey home to his children and his love for his wife. Those really were the final pieces of the puzzle that let me finish the script. 90013 90002 90015 DEADLINE: 90016 90003 While you were waiting for that solution, were there movies that came along that convinced you the technology was there to translate your visuals to the screen? 90020 90004 90015 NOLAN: 90016 On 90003 The Dark Knight 90004 we really tried to push ourselves to achieve a lot of large-scale effects in camera, to really create a world by shooting on location, all around the world, and by doing very large in-camera gags like flipping an 18-wheeler truck on a busy downtown street, for real.Coming out the other side of that experience and having enjoyed it as much as I did left me feeling like we had a great team of people who could devise and photograph these kinds of visuals. I came away feeling well equipped to take on the world of 90003 Inception 90004 and the kind of outlandish imagery it would require. Most of the technology employed for the imagery of Inception is fairly old-fashioned. There is some newer technology that the guys at Double Negative brought to the table. The most daunting aspect of the visuals, for me, had always been things that had been based on in-camera technologies, like achieving zero gravity by building sets with different orientations and doing tricks with wires.Those techniques were based on seeing Stanley Kubrick’s 90003 2001 90004 when I was a kid, falling in love with deception and the magical tricks he did to convince an audience there was zero gravity. The thing that really gave me confidence to take on my film had more to do with my own experience, rather than technology in other people’s films. It was more about having had the opportunity to do some really large-scale filmmaking and getting comfortable with the big machine that’s involved in that to really get a handle on pushing the envelope with what we’d be able to do on set and in- camera.90013 90002 90015 DEADLINE: 90016 90003 What advantages did writing on spec give you? 90004 90020 90015 NOLAN: 90016 I had actually gone in and met with Warner Bros years before, right after I’d finished 90003 Insomnia 90004, and described the project when I was starting to write it. They wanted to hire me then to write it, but I turned away from that opportunity. I realized with a project like 90003 Inception 90004 I would be trying to cross certain boundaries of genre and push the envelope of what mainstream movies are allowed to with an audience.I felt it very important that I develop the script on my own. I had to finish it on the page, so at least there would be a specific and clear document in front of the studio of what this film was going to be. The advantage of writing on spec was I got to really thrash out in my own head how to make these things work, and then offer it to the studio for backing and collaboration. I do not think I would have been able to develop this with someone else. I needed to at least get the first practical draft done on my own and then bring the studio into the process.90013 90002 90015 DEADLINE: 90016 90003 Danny Boyle recently told Deadline he admires how you take $ 160 million and make it look like $ 320 million. What is the most stressful thing about steering such a large creative bet? 90020 90004 90015 NOLAN: 90016 The most stressful and difficult part of steering a large movie like 90003 Inception 90004 is that you are taking on the responsibility of communicating with a very wide audience. You can not ever hide behind the notion of, ‘Okay, they just do not get it,’ or, ‘Certain people just do not get it.’You have to be mindful of the size of your audience, and you have to communicate in a way that lets them in. That can be difficult when you’re trying to do something more challenging. There really is a delicate balance between presenting people with elements that are unfamiliar, but still giving them an entertaining experience for their willingness to come on that ride with you and accept a certain degree of confusion. That’s the most difficult thing, but it’s also a challenge I’ve very much enjoyed over the last few films.90013 90002 90015 DEADLINE: 90016 90003 Did Warner Bros and Legendary Pictures say yes when they read the script or did you have to show them visuals? 90020 90004 90015 NOLAN: 90016 I try and get everybody on board with a project simply through the words on the page and my explanation of what I see, how I’m going to put these things onscreen and what they’re going to feel like . And so, the process of getting Inception greenlit was involving a wide group of people at Warner Bros, from creative and production, distribution and marketing.Everybody read the script. Then I came in and fielded a lot of their questions about how particular visuals were going to be done, and what the feel of the film would be, and very much about how the audience would be able to orient themselves to the film. That was always a concern by everybody who read the script. I was happy to talk about that, how we would use the design of the different dream levels to help orient the audience as the film rolls into more furious cross-cutting in the last third.90013 90002 90015 DEADLINE: 90016 90003 How did you explain to them the three levels of dreams? 90020 90004 90015 NOLAN: 90016 I told them one of the dream levels is in the rain, one of them is a night interior, one is outdoors in the snow. That meant that even in a close-up, you would be able to tell which level you were in as you cross-cut. They were very aware of the risky nature of the project, but they just got very excited about seeing the film. 90013 90002 90015 DEADLINE: 90016 90003 What checks and balances do you use to ensure that creatively you are not repeating yourself? 90020 90004 90015 NOLAN: 90016 With 90003 The Dark Knight 90004 you had to strike a balance of familiarity with the audience.It is a sequel, and they want familiar elements, things they liked from the first film. But you always have to be very aware that the audience is extremely ruthless in its demand for newness, novelty and freshness. At script stage, we really tried to thrash that out-are we striking that right balance? 90003 Inception 90004 was very similar. We were trying to strike a balance between a certain familiarity and comfort zone in terms of genre and how they watched a film. That was mostly attended to by leaning on the formal elements of the heist movie structure.We were trying to strike a balance between giving the audience familiar elements to hang onto, and trying to re-contextualize those elements into something hopefully the audience had not seen before. We dealt with this somewhat even on 90003 Memento 90004 — that was a very unusually structured film with its reverse chronology. I wrote the script to have a very familiar underlying rhythm to it, a conventional three-act structure in terms of the way the audience gets information from the beginning to the end.So there’s this substructure of familiarity with the film-noir genre and the three-act structure underneath this more complicated reverse-chronology super-structure. It is something I’ve always really tried to pay attention to. If you’re trying to challenge an audience and make them look at elements in a different way, you’ve got to give them a familiar context to hang onto. 90013 90002 90015 DEADLINE: 90016 90003 Did you let actors read a full script of 90004 Inception 90003 before they committed? 90004 90020 90015 NOLAN: 90016 The challenge is striking a balance between allowing the actor going to work on the project to feel in collusion, and like they’ll be genuine creative collaborators.When you go to an actor like Leonardo DiCaprio you have to be extremely respectful of his creative role in things. You have to embrace him as a fully-authorized collaborator. It was very important to show him a complete script and talk to him over a number of days and fill him in on every aspect of what I was going to do with it. But a guy like Leo is happy to do that within the context of privacy, and he was very gracious about understanding that if he did not want to do the movie, he was not going to go around town telling everybody about it.You have to trust that in people. For me, getting into a collaboration with an actor is about trust, both ways. It was a great pleasure working with new people like Leo on this film. We had a lot of creative collaboration on the script once he came onboard; it became a hugely valuable part of the process. I do not ever like to feel myself in the position to demand of an actor that they trust I’m going to do something worthwhile. I feel a responsibility to articulate what it is I’m going to do. Whether that’s showing them a full script or sitting down with them and describing my ideas in detail.It’s a very healthy burden on me as a film director to be able to articulate what I want to do, to inspire actors, rather than just saying, take it on trust I’ll be able to do something worthwhile. 90013 90002 90015 DEADLINE: 90016 90003 Why did not you shoot in 3D which studios like Warner Bros have made a priority? 90020 90004 90015 NOLAN: 90016 We looked at shooting Inception in 3D and decided we’d be too restricted by the technology. We would not have been able to shoot on film the way we’d like to.We looked at post-converting it, actually did some tests, and they were very good. But we did not have time to do the conversion that we would have been satisfied with. 90003 Inception 90004 deals with subjectivity, quite intimate associations between the audience and the perceived state of reality of the characters. In the case of 90003 Batman 90004, I view those as iconic, operatic movies, dealing with larger-than-life characters. The intimacy that the 3D parallax illusion imposes is not really compatible with that.We are finishing our story on the next 90003 Batman 90004, and we want to be consistent to the look of the previous films. There was more of an argument for a film like 90003 Inception 90004. I’ve seen work in 3D like 90003 Avatar 90004 that’s exciting. But, for me, what was most exciting about 90003 Avatar 90004 was the creation of a world, the use of visual effects, motion capture, performance capture, these kinds of things. I do not think 90003 Avatar 90004 can be reduced to its 3D component, it had so much more innovation going on that’s extremely exciting.3D has always been an interesting technical format, a way of showing something to the audience. But you have to look at the story you’re telling: is it right? 90013 90002 90015 DEADLINE: 90016 90003 90004 Inception 90003 was lauded in Hollywood as a dose of originality in a summer largely devoid of it. Studios rely on tentpoles, but are they concerned enough about originality? 90004 90020 90015 NOLAN: 90016 I’m not sure I’d put that down to studio reliance on tent poles. Maybe it’s just particularly working with Warners Bros, but in my experience with the studio system, they have always understood the need for freshness and not just something the audience has seen before.I’m not sure I’d pin it down necessarily to studio reliance on tent poles, because I think it’s as possible to make over-familiar small movies as it is to make over-familiar tent poles. In fact, the honest truth is that when you look at some of the more original successes over time, conceptually a lot of them are tent poles, from 90003 Star Wars 90004 to 90003 Avatar 90004. 90013 90002 90015 DEADLINE: 90016 90003 Do you see an opportunity to revisit the world of 90004 Inception 90003 with a sequel? 90020 90004 90015 NOLAN: 90016 I’ve always liked the potential of the world.It’s an infinite, or perhaps I should say an infinitesimal world that fascinates me. At the moment, we’re exploring a video game, which is something I’ve been very interested in doing for a number of years. This lends itself nicely to that. As far as sequels go, I think of 90003 Inception 90004 as one film, but that’s how I approach all my films. When I was making 90003 Batman Begins 90004, I certainly did not have any thoughts of doing a second 90003 Batman 90004 film, let alone a third. You never quite know where your creative interests are going to take you, but when I was making 90003 Inception 90004, I viewed it as a stand-alone movie.90013 90002 90015 DEADLINE: 90016 90003 Since this is awards season, can you describe what it meant to you when Heath Ledger won the Oscar for 90004 The Dark Knight 90003 shortly after he died? 90020 90004 90015 NOLAN: 90016 I was extremely gratified to see people responding to work that I knew was great. And I was very proud to have been a part in its creation, or at least in creating a world where a great artist could really show what he could do. It was a great honor to be in any way involved in that.90013 .90000 How Would I List Being Good at Deadlines in a Resume? | Work 90001 90002 By Lisa McQuerrey Updated August 08, 2018 90003 90002 While nearly all jobs require good time management skills, some professions require strict adherence to deadlines, like roles in the media, project management and event planning. If you’re applying for a job in which this critical type of skill is required, there are a variety of ways to showcase your abilities and describe your professional attributes in a resume.90003 90006 Highlight Time Management Skills 90007 90002 When it comes right down to it, meeting deadlines is all about using your time wisely and being organized and focused. Use language to this effect when describing relevant aspects of your previous work. 90003 90002 90011 In this role, I was responsible for regularly meeting tight deadlines that required 24-hour turnarounds. 90012 90003 90002 90011 In this position, time was always of the essence, as on-schedule delivery of legal documents was vital to the outcome of our work.90012 90003 90002 90011 This role required juggling multiple competing priorities, which I successfully did while maintaining a strict delivery timetable. 90012 90003 90002 Note whether deadlines were daily, weekly or monthly. Precisely setting out in detail just how on-point and focused you are establishes you as a professional with great attention to time. 90003 90024 Demonstrate Your Understanding of Deadlines 90007 90002 Another way to show you’re good at deadlines is to use your resume to show that you recognize why strict completion timetables are so critical in many business situations.Use language leading into your job description to achieve this. 90003 90002 90011 Recognizing the necessity of adhering to deadlines … 90012 90003 90002 90011 Working consistently within established timelines … 90012 90003 90002 90011 Meeting all pre-established consumer timetables … 90012 90003 90002 90011 Accurately tracking all tasks to timely completion … 90012 90003 90002 90011 Ensuring strict compliance will all applicable deadlines … 90012 90003 90002 Employers will recognize such language as belonging to an individual who is cognizant of the need to always be on the ball, regardless of the project.90003 90050 Use Descriptive Writing 90007 90002 There are many ways to demonstrate that you’re good at meeting deadlines without using one phrase repeatedly. Use a variety of phrases when describing this critical skill set, including: 90003 90054 90055 time-conscious 90056 90057 90055 detail-oriented 90056 90057 90055 on task 90056 90057 90055 focused 90056 90057 90055 organized 90056 90057 90055 comprehensive oversight capabilities 90056 90057 90055 deadline- driven 90056 90057 90055 deadline-conscious 90056 90057 90055 able to work effectively on tight timetables 90056 90057 90055 fast, accurate turnaround 90056 90057 90055 ability to handle high volume demands 90056 90057 90088 90002 This establishes you as someone who has the ability to think on their feet and perform necessary action as needed, when needed.90003 90091 Use Your Cover Letter to Elaborate 90007 90002 Your cover letter is another great place to elaborate on your ability to consistently meet deadlines. In fact, the cover letter allows you to customize and tailor your professional pitch based on the requirements of the job you’re seeking. 90003 90002 Y_our job posting notes the importance of meeting print deadlines. In my last role as associate city editor, during my three-year tenure, not a single deadline was ever missed._ 90003 90002 90011 Your ad says delivery deadlines must be met without fail.I certainly understand why it is critical that medical lab samples are delivered accurately and on time, and I would use my exceptional time management skills to ensure 100 percent compliance with this policy. 90012 90003 90002 Employers looking for deadline-conscious staffers ideally want someone who can work well under pressure and who does not easily get frazzled. Establishing yourself as this type of professional gives you a leg up on the competition. 90003.